I wish to paint the joy I feel by being in places I love, trying to capture in paint the colors of light and the spirit of stone and water. www.michaelgaudreauart.com is my website
Monday, July 11, 2016
Vapor Trail
I've painted these white houses many times . I am drawn back to them because the morning light ccasts such cool shadows. The houses are like monopoly pieces set down on a gameboard. It was a hot clear morning in Keene Valley,NY. these houses are next to the school and behind the firehouse. I left the vapor trail in the sky because I thought it leads the eye down into the pines. It also suggests this 21st cen presence of life in a limeless landscape. 12x16in
Monday, July 4, 2016
Two More for Keene Valley
Cold Frosty Morning - Marcy field
We usually see Marcy field green with grass but This morning there was a silver frost on the grass that disappeared as soon as the sun came up. The footprints were mine. 10x10in oil
Noonmark Mt
I tried to be a little flatter with my paints. Painting a landscape should be like assembling puzzzle pieces. 10x22in oil
Tuesday, June 21, 2016
"Old Mountain" Phelps
Orson Schofield (Old Mountain) Phelps (May 6, 1817 - April 14, 1905) was an early Adirondack guide from Keene Valley. Phelps named many of the Adirondack High Peaks, and cut the first trail up Mount Marcy.[4] Phelps Mountain is named in his honor.Phelps' image was made famous in paintings by Winslow Homer, and photographer Seneca Ray Stoddard. . (Wikipedia)
Fellow artist and exhibitor,George Ludlow, came up with an interesting challenge. Last year when we were discussing some paintings he did of Old Mountain Phelps,he thought it would be fun if everyone in our next show would produce a painting of Phelps. I couldn't stop thinking about it, especially when i saw the tangle of his beard. It reminded me of a topographical map.
In a departure from my usual techniques of oil and pastel i created a collage from a 1907 map of the high peaks (no actual map was harmed in this process) The pack he is carrying IS an contemporary map I used in hiking and was in tatters. In his beard I included all the places Phelps might have been familiar with. After that I had to figure out what to make his shirt out of. I used actual birch bark. The vest and background are pieces of hand made paper. The face I drew with a quill pen. I framed it with an actual Victorian frame from his era.This project was a lot of fun and a real welcome break from my usual landscape painting. 11x14 Mixed media collage in Victorian frame.
Fellow artist and exhibitor,George Ludlow, came up with an interesting challenge. Last year when we were discussing some paintings he did of Old Mountain Phelps,he thought it would be fun if everyone in our next show would produce a painting of Phelps. I couldn't stop thinking about it, especially when i saw the tangle of his beard. It reminded me of a topographical map.
In a departure from my usual techniques of oil and pastel i created a collage from a 1907 map of the high peaks (no actual map was harmed in this process) The pack he is carrying IS an contemporary map I used in hiking and was in tatters. In his beard I included all the places Phelps might have been familiar with. After that I had to figure out what to make his shirt out of. I used actual birch bark. The vest and background are pieces of hand made paper. The face I drew with a quill pen. I framed it with an actual Victorian frame from his era.This project was a lot of fun and a real welcome break from my usual landscape painting. 11x14 Mixed media collage in Victorian frame.
Sunday, May 22, 2016
Wednesday, May 18, 2016
First Sun in the Valley
At Dawn on Chapel pond the sun peeks over the mountain. This view is looking up at Giant Mt from the road at Chapel pond on the way to Keene Valley pastel 11x17in
Subscribe to:
Comments (Atom)







