There are 3 things I enjoy about painting rocks, especially these rocks. 1st. It brings me back to the Bouquet River, finding my favorite site in the Hemlock forest on the way to Keene Valley. It's a place I discovered over a decade ago where the light changes from dappled yellow to green filtering in through pine branches and the forest floor is a silent carpet of burnt sienna pine needles with the suprise of a crimson salamander. The scent of balsam permeates the air and the sound of rapid water over the rocks make speaking impossible. 2nd. Constructing a rock painting is like building a stone wall. One has to work rock by rock so the pieces of the painting have to all fit together like an Adirondack fireplace. 3rd. I can be endlessly inventive with marks, lines, textures and even color as I work. My rocks are made of slashes, squiggles and many built up layers of calligraphic marks. Pastel gives me immediate freedom of color and gesture that describes for me the feeling of moving water. It may seem photographic from a distance but on closer inspection I try to be loose and very expressionistic. pastel on sanded paper18x26in.
Monday, November 2, 2009
Monday, October 26, 2009
CHAPEL POND TRIPTYCH
Tuesday, October 20, 2009
IDLE RIVER
This is the view I was painting in the photograph below. My goals were to flatten the trees into shapes and to capture the orange-yellow light of the setting sun reflecting off the boats. I also liked how the white sailboat in the shadows turned blue and had to keep waiting until the boat drifted into sideview.
12x12in. on birch panel. oil
Tuesday, October 6, 2009
Painting on Brewer Creek
Sunday, September 27, 2009
Kilgore Falls
re-work this sketch and deepen the shadows.
It was quite dark when I painted it in the woods and the painting is very pale under brighter lighting conditions. oil on birch panel 12x12 in
Saturday, August 29, 2009
cairn II
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